__ __
__ __ __ __
__ __ __ __
__ __ __ __
__ __ __
"If
the horror film had been revived in
the fifties, in the sixties it
flourished. In America, Roger Corman
began his series of adaptations of
the works of Edgar Allan Poe with
the magnificent
House
of Usher
(1960), while films like Onibaba
a/k/a The
Demon
and Kwaidan
a/k/a Ghost
Story
(both 1964) revealed to the West the
violent Japanese horror tradition.
In Italy, Mario Bava commenced his
explorations of perverse sexuality
with the delirious La
Maschera del Demonio
a/k/a Black
Sunday
(1960), while in Spain, Jesus
Franco's gruesome Gritos
en la Noche
a/k/a The
Awful Dr. Orloff
(1962) initiated a stream of
similarly inclined medical-horror
films in which surgical
dismemberment and violence to
women's bodies took the place of
sex, still the staple of the vampire
movies. This latter strand also
quickly surfaced, in pared down
fashion, in America in the 'splatter
movies' of Herschell Gordon Lewis,
among others, with Blood
Feast
(1963), the early examples of which,
in their own gory way, were as much
exercises in Grand Guignol as Whatever
Happened to Baby Jane
(1963) and its numerous
clones."
__ __
__ __ __ __ __
__ __ __ __ __
__ __ __ __ __
Any
horror movie fan worth their stones
needs this exhaustive reference guide of genre
pictures. Author Paul Willeman and
contributors Verina Glaessner, Julian
Petley, and Tim Puelleine, all under the
guiding hand of Phil Hardy, cover it
all from the silent era to the present
-- and the present time in my copy is
around 1984, but it's been updated
several times and now ends somewhere
in the mid-90s.
What
sets this book apart from other
compendiums is it's extensive coverage
of films from outside the United
States (--
Hardy
is based in London), and
Japanese
ghost stories, German impressionists,
British chillers, Mexican
monstrosities and Italian gore are all
treated with an even hand.
Wonderfully
illustrated with stills, publicity
photos and promotional materials, each
film is given a synopsis -- some
brief, others more expounded upon, but
at no point do you get a sense of any
"bull-crit" -- the bane of
most reference guides. In other words,
they've actually seen the majority of
the films they're writing about, and
believe me, there's a ton of them (--
over
1300 entries.) Directors,
producers, writers and cast are also
posted along with the production
company and total running time.
What's
really amazing to see is how the horror film
evolved from it's gothic origins to
what it is today. The book is laid out
in chronological order by decade so you can also
easily see the ten year cycle of
quality that horror films have gone
through since the beginning. With the
advent of the internet and things like
the IMDB
have stolen some thunder from this book,
but it's still an essential read and a
valued Horror Film resource.
|